Materials

While at Art Fairs, I usually end up and enjoy chatting to other artists and enthusiasts.  One question will always crop up – what do I use?

Below is a list of the main materials I use.  I source them online, mainly but not exclusively, from Pencil Perfect, Jackson’s, Amazon and eBay (prices are often +postage).  But I also use local art shops and Hobbycraft (they often have Faber-Castell Polychromos on special offer).

Do not be put off by this extensive and expensive list, all you actually need is some paper, some pencils (Crayola are fine), a pencil sharpener, and an eraser. Just have some fun.

Colour pencils

For commissions, I only use the highest quality lightfast colours which ensure that the images will last and not fade, but unless you are selling your work, do not get too hung up on this. All my pencils can be bought separately which means I can always buy replacements.  

I would encourage anyone starting out in portraiture to invest in a few individual better-quality pencils in the colours you need, rather than buying sets containing colours that you will not use.  

Saying that a new set of pencils is a very fine thing indeed.

If you are drawing everything and anything, then go for a set.  Needless to say, the larger the set the wider the variety, but do check the pricing as they do not always work out cheaper than buying the pencils individually. It's worthwhile checking sites like eBay as you can often find lightly used sets which are being sold on.

Faber-Castell Polychromos are my workhorse pencil. They are a good all-rounder medium hardness pencil providing a solid base for layering on the papers I use. The Warm Grey 2 is my go-to when drawing outlines, and to use as a smoothing layer between colours, as I tend not to use blenders that often.

Caran D’Ache Pablo are a much softer pencil, which I use for adding the shading and depth in my portraits.  I particularly value the Granite Rose and Cocoa when drawing tongues.

Caran D’Ache Luminance are probably the best quality pencils on the market, they are also one of the priciest.  The range of colours are comprehensive, with their percentage colours such as Warm Earth 5%, Butternut 10% and Sepia 50%, particularly useful for highlight and shade.

Derwent Lightfast are top of the Derwent range and have some useful colours such as Mars Violet and Mars Black.

Derwent Drawing are the softest pencils I use.  They have a thicker core than my other pencils and a chalky texture.  On Grafix I use them on the reverse side of the paper, to get real depth and intensity to the portrait. I would not be without Chinese White or Wheat.

Derwent Coloursoft (7-8). A set of 24 were the first artist-grade colour pencils I got, years before I started drawing portraits, and was mindfully colouring in mandalas and the like. They are lovely pencils and blend well, but sadly for me not all colours in the range are lightfast, so I only use those rated lightfast 7 or 8 now.

Holbein Artists Colored Pencils (***). Like the Derwent Coloursoft, not all in this range are lightfast, so I only use a limited number which are labelled ***. Their sand and creamy/ivory colours are very good for using as a later layer on golden coloured dogs.

Soft pastels

Soft or dry pastels give a lovely soft effect, perfect for fluffy puppies and cats. Pastelmat is the only surface I use for pastel drawings.

Faber-Castell Pitt pastels

Derwent pastel

Jackson’s pastel sticks

Watercolour pencils

I do have a couple of sets of watercolour pencils, I found the Albrecht Durer at a very good price in a sale and the Museum Aquarelle were a present from a kind and generous friend, but as with my other pencils they can be bought individually.

Faber-Castell Albrecht Durer. I mentioned that the polychromos in the pencil range this is my go-to pencil for that medium, these Albrecht Durer are my starting point for watercolour as they lay down a good amount of pigment, and once dry I find they layer well.

Caran D'Ache Museum Aquarelle, these are lovely, vibrant and intense watercolours. A slightly dampened White is great to add the catch-light in eyes regardless of the medium being used. 

Oil pastels

I do not use oil pastels for commerical work, but they are great fun, particularly if you like to use your hands and don't mind a bit of mess.  They can also work well on the reverse side of Grafix to create a soft bokeh background for a pencil drawing.

Caran D'Ache Neopastel

Sennelier Oil Pastels

Papers

Drafting film and Pastelmat are pretty much at the extremes of the range of textured surfaces used for pencil drawing. I started with Pastelmat and then learnt how to use drafting film, which was a bit like driving a left-hand drive car, after only driving a right-hand one, you know what to do, but it is different.

Grafix Drafting Film - double matte .003 is a very smooth to the touch, translucent paper, which you could confuse with thick tracing paper (it is not the same). I use the double sided variety which allows me to draw on both the front and back of the paper and obtain a greater depth of colour in my portraits.  Colours lay down creamily smooth, and the surface lends itself to blending and the subtraction technique, where you lift/remove pigment before adding in more colour, and is often used to create hyper-realistic fur and hair. To get layers, you need a very light touch, I taught myself if I could hear the pencil on the paper then I was probably being too heavy handed.

Clairefontaine Pastelmat is a grainy paper and feels a bit like fine sandpaper.  It grabs colour well, but you need to use quite a few layers to fill in the grain (or tooth) of the paper. I do occasionally use it for colour pencil drawings, but it is the only surface I use for soft pastels.

Hahnemuhle Bamboo Mixed Media is a textured paper which as its name suggests is suitable for using a variety of pencils, pastels, and paints. I was searching for a paper that felt good to draw on, but was robust enough to take watercolour. I found this, liked it, so have stuck with it.

Accessories

Erasers

Faber-Castell kneadable art eraser

Tombow mono erasers – round and flat ended

Derwent eraser 

 

Tools

Manual Slice tool

Tenwin (TiHoo) electric pencil sharpener

Refillable watercolour brush pens

 

DIY

Cotton buds (slightly dampened or dry), great for blending colours and smoothing out, particlularly on Grafix.

Old emery boards, to clean rubber erasers.

Cardboard tubes from the inside of poo bag rolls, are effective pencil extenders.

Blusher brush, to flick off scraps of eraser. DO NOT use on soft pastels, or you will find that you need to start over.

Drawing board and slope

I have an A3 size wooden drawing slope and an A2 thick mdf board for larger drawings, which I can rest on my drawing slope or put in a lightweight portable easel.

I have covered both in Self-Adhesive Rubber Steel (Ferrous) Sheets. This enables me to hold and reposition my paper using neodymium magnets.

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